"I once had a sparrow alight upon my shoulder for a moment... and I felt that I was more distinguished by that circumstance than I should have been by any epaulet I could have worn." -Thoreau

Saturday, February 11, 2012

Word-Legos and the Metaphysics of Properties

Generally speaking, I am a lover of words.
Admittedly, I am not a super Scrabbler (which is somewhat surprising, really. I should do that.), but I am fond of writing and devoted to books and my thought-process tends to be greatly language-driven.

I do like playing with words. I admire the clever manipulation of language, I enjoy painting with words, I appreciate poetry... I even appreciate weird stream-of-consciousness modern stuff every now and then.
However, while I appreciate flexibility and creativity, I also insist on a certain level of precision when it comes to language.
Words, to me, are what I imagine legos would be to a playful child architect- except perhaps more precise. Now, before vehement lego-devotees attack me for having an improper appreciation of the structural precision requisite for beautiful lego-building, I only mean to say that most lego pieces are pretty general-usage. In fact, I am sure a large part of the appeal of legos is just that-- you are free to take general pieces and combine them in precise ways to create wonderful structures.
However, words do not come attribute free.
Au contraire. Far from being identical pieces, words come with a richness of (pretty) specific meaning, and therein lies the beauty of language manipulation. You can combine specific words in precise ways to create structures rich with color and meaning. "Interchangeable pieces" are not quite interchangeable, due to small differences in connotation which create subtle shifts in meaning. It is possible to rearrange pieces and retain the general meaning of a phrase while slightly altering its emphasis. Translating between languages presents an interesting and challenging problem in that there are a multitude of elements to reconcile-- is it best to focus on global architecture or to strive to find best-matches between individual pieces, even though (perhaps paradoxically) this may lead to certain architectural discrepancies?
The point of the matter is, language is fun to play with, but doing so requires a certain appreciation of syntactical and semantical structure.

And so I reach the motivation behind this blog post.

Wandering around campus I have been unable to avoid focusing in on examples of linguistic clumsiness which have lead me onto paths of amused philosophical contemplation.

First, I would briefly like to talk about a "Happy Bodies" sign which features a smiling woman cut out from a magazine and the happy exclamation: "I love my body because I love my body!"

Umm. No. This infinite downward spiral of justification suggests an irrationality I refuse to accept. Although the intention seems to have been good, the result was unfortunate. Rather than making a statement about body positivity and how we ought to care for and appreciate the wondrous organism which carries us through life, this statement is disappointingly empty and circular.
Instead, the writer should have written: "I love my body because it is my body!"
We don't love our bodies because we love them... we love them because they are our bodies! Suddenly the statement points to the significance of the word body, which reveals all sorts of beauties and wonders. Our bodies enable us to walk, talk, think, feel, dance, laugh, cry, paint, experience the icy kiss of snow, and do everything else we are capable of doing.
See the wonder of constructing statements a bit more carefully?
(Note: I admit I may occasionally, or frequently, fail as a good linguistic architect. I recognize this and I apologize. But I do try.)

Now for the second example, I have captured not-very-good photographic evidence. (See figure 1 below.)

Figure 1. Etchings on a toilet paper dispenser in the LDC, Carleton. 

The picture, admittedly, is not very good (I feel strange taking the time to get a decent picture in a bathroom. It just seems kind of wrong to be taking pictures in a stall. But anyway.), so you may not be able to read the writing very clearly.
The primary piece:
Why is a toilet like a literature analysis?
They're both full of- (Yeah, you get it.)

A bit below that there is the following profound question:
Why is a raven like a writing desk?
To which the answer seems to be: Edgar Allen Poe.

Now my response to this is amused puzzlement.
The raven and writing desk question is so wonderfully strange that I really don't know what to think of it.
As to the literary analysis question, I must suspect some student bitter over a failed English paper felt like denouncing the whole concept of literary analysis in an almost clever but crude manner.

But then I begin to ponder the structure of the literature question a bit further.
"Why is a toilet like a literature analysis?"

The question, based on the intended response, seems to actually be asking,
"How is a toilet like a literature analysis?"
That is, what property or properties do toilets and literary analyses both possess such that we may find a similarity between them?

But what if the writer really is trying to make some profound philosophical statement here? (We are going to ignore the witty quip provided as a response for the purposes of this discussion.)
Perhaps this was not a simple case of unfortunate word-lego confusion, but rather an intentional why, the result of frustrated philosophical contemplation and a call upon the gods-- why, oh why are they alike?

I ought to make this more clear. See it is all very well and good to recognize similarities in things.
This apple is red. This book is red. They share some feature- in this case, "redness"- which causes us to recognize them as similar. However, like most philosophical (especially metaphysical) topics, once you sit down and try to explain what it is that is actually going on here, all sorts of craziness emerges.

So let's say that we know or are aware of a similarity between toilets and literature analyses. What does that actually mean?
As some sort of Platonic/Aristotelian realist, I would be inclined to say that toilets and literary analyses share some actual feature. They possess a common property, we recognize that property, and thus we are able to see the similarity.
Of course, there's some question as to how exactly objects possess properties. Enter forms (if you're Plato), or some recourse to meanings arising from structural properties of an object, which is a response I am kindly disposed toward. The focus is on the fact that objects actually possess these properties, and we are simply latching onto what actually exists when we identify similarities.

However, others would disagree and tell you that the whole notion of properties is great- from a linguistic, in-your-head point of view, but you're not tracking anything that's actually out there. Berkeley is prepared to tell you that there really isn't anything out there, except some immaterial spirit which perceives everything. It seems that you recognize similarities...because...you just do...(What?) You know, conditioning and stuff. People point to a yellow object and say yellow...and eventually you figure it out. Somehow. Without there actually being any sort of yellow-ness that you're actually recognizing....

Personally, I'm not sure the nominalist perspective succeeds in explaining how we group things or how we actually learn to call things yellow if there's nothing concrete that we're tracking, but Plato's lovely realm of forms doesn't seem like quite the right explanation either, and what if it really is all in our heads anyway?
The whole question can really get a bit frustrating.

So, really... why is a toilet like a literature analysis?
...Or did you just mean "how"?

Sunday, January 22, 2012

On Souls and Occupations

Research, internship, and job applications terrify me.

This is becoming all the more clear as I try to narrow down the list of programs/REUs I plan to apply to for the upcoming summer. I will look over a program, survey the application process- and then become terribly frightened. I am already anticipating the pain of failure. Even worse, though, is the fear of embarrassing myself and disappointing others in the face of sweeping rejection. I can too vividly imagine all of my tentative plans slowly crumbling before me, leaving me in the awkward position of explaining to those with a general interest in my hopes and goals that I have sadly failed... but... umm maybe next year will be better? It'll be nice to have the summer to relax....
...Yeah.

Somehow I need a strong dose of confidence. Ideally this would not be baseless confidence. But it is a problem when I shy away from completing an application because I feel as though I have nothing meaningful to contribute- so why bother applying?

Remember the previous Slow Swan discussion? Yes, well that is a ridiculously wishful term.
At present I am a timid creature, trembling within my tortoise shell and struggling between tip-toeing off to a safe corner and forcing myself to poke my head out and be brave and strong.
It's so much easier to hide in corners!
But it does make it so much more pathetic, too. That is kind of a problem.

Part of the problem is also my identity crisis. My quarter-life crisis, as my brilliant (and very supportive) roommate terms the stage of uncertainty we are passing through. The more I ponder the issue the more knotted up I seem to become. I find myself straddling the fields of philosophy, chemistry, and mathematics (this complicates program selection considerably). I think I could pass as a philosopher, but I fear I would make a dreadful guise for a chemist or mathematician. I feel strangely trapped between being inquisitive and feeling like an impostor. Others seem so certain about their passions, goals, and identities... whereas I seem to scramble for sure footing.

Quarter life crisis indeed...

The other day, maybe about a week ago, I had just finished a math problem set and found myself, unsurprisingly, pondering this issue of identity. At the time I think I was feeling more certain about the possibility of mathematics (this semi-confidence has since vanished). But I realized that the problem was my fear of not having a "mathematician's soul."

Naturally, this brought me straight to thoughts about Plato's The Republic (haha).
In The Republic, Socrates argues for a state ruled by philosophers, among other things. Some of those other things included a process for selecting who receives the privilege of an education on the route to philosopher-kinghood, and who got put into the category of baker, artisan, et cetera.
I was not at all pleased with Plato on this account. Who gets to decide who becomes a baker? Who gets to decide who becomes king? How do they do this, and what right do they have to make this decision?
Of course, Plato was operating on the idea of a soul. Simply put, there are people with baker souls. There are others with philosopher souls. By the time you're a child one should be able to detect signs of what kind of soul you have, and place you into the appropriate category accordingly.
But I was strongly resistant to this whole notion.
First, what do you mean, we have souls that match us to an occupation? Nonsense!
And second, even if such souls exist, it seems ridiculous to posit that a young child clearly demonstrates the qualities of a baker, miner, or academic! To lock individuals into occupations on the theory of soul struck me as dangerous nonsense.

And then, here I am, fretting over whether I possess a mathematician soul, or a chemist soul, or a philosopher soul or... what kind of soul do I possess??

I still refuse to concede Plato's soul point. Despite my fretting, it seems incorrect to suppose that there is a clear line between "soul" and vocation.
However, it seems clear that there are certain qualities "requisite" for specific occupations.
If you’re going to be a doctor, you need to be driven by concern for the wellness of your patients.
If you’re going to be a teacher, you need to find the process of helping children grow rewarding.
If you're going to be a biologist, you need to be struck by the magnificent mechanics of life.
If you’re going to be a philosopher, you need to love sitting and pondering interesting questions (and it doesn’t hurt if you ask annoyingly insightful questions, Socrates-style).
If you’re going to be a mathematician, you need to be moved by the beauty of an elegant proof.
And so forth.

I don't know which occupations I would best fill. I appreciate all of them. I appreciate and admire the sorts of individuals who appear to possess these "souls"- whether or not that term is quite inappropriate- and somehow or another I want to find a place I can fill with pride and excitement.

Yet again, it seems the best I can do is to conclude with an unsatisfactory "I'll just have to wait and see."
...But will "waiting and seeing" really cut it? Can a tortoise hiding in her shell suddenly make sense of life?
It would be nice if enlightenment and passion suddenly struck me and everything made sense. But I don't think that's how it works.
I guess I'll have to force myself out of a shell and wander around until I stumble upon the answers to life.

Easier said than done.

Friday, January 6, 2012

Thoughts on Being a Slow Swan

And so it has begun.
A new year has been born. New classes have commenced. I have embarked on a new voyage bound for wonderful, unexplored lands.

Given the many opportunities waiting to be seized, it seems appropriate to do a bit of reflection and deliberation.

So, about a week ago, a few dear old friends of mine and I decided to go ice skating. Think of this as an analogue to my summer chess adventure, except slightly more terrifying. (Yes, I recognize that this may be a tad bit dramatic.)

Ice skating began a bit roughly for me.
Hmm, no.
 'Roughly' suggests images of jerky motion. Motion was somewhat lacking altogether...

Ice skating was going nowhere for me. Literally.
Hmm, better. Except that a literal reading makes it seem as though ice skating is an independent entity which heartlessly denies performing favors for me. Actually, I don't mind that reading. It is ice skating which is the problem, not me. Of course.

Okay how about...

In the beginning, I did not ice skate. (I like this. Hints of dramatic foreshadowing!)
So maybe I was moving at a rate of about 1 cm/min, but I think we can agree that this does not in fact count as ice skating. Ice skating is gliding smoothly and beautifully across the ice. Creeping along painfully slowly whilst hopelessly trying to shake off terror? No, there was no ice skating going on.

So my somewhat wacky (understatement?) friends and I decided to come up with alliterative, bird-themed nicknames for each one of us brave adventurers. There was Tanner the Jittery Jay, Araceli the Graceful Goose, Denney the Pompous Puffin, and myself- the Slow Swan.

As I slowly made my way around the ice- accelerating ever so slightly (no longer moving at 1 cm/min!) while making sure to keep my momentum at a relative minimum so that when the dreaded fall or collision came about my impulse would also be at a low- I contemplated, among other things, how surprisingly fitting our nicknames were.

Denney was already a beautiful ice skater, gliding swiftly and effortlessly across the ice. But Denney loves slipping on an oversized coat of fine pompousness in daily life... so the name is fitting. In fact, he pompously termed himself the Pompous Puffin. Go figure.

Tanner was hilarious to watch- though I made sure to keep my distance because his unstable, jerky ice skating method promised his downfall... and if he fell in front of me I would be almost certain to go down with him in an effort to not run him over. The flailing arm motions in the event of a fall would also be likely to bring me down. But Tanner's approach to the novel idea of balancing on thin blades and somehow using them to propel yourself across ice was to just go with it- shaky and jerky, awkwardly hunched over, dancing along to the music until having to brace himself from falling- he just kept making his rounds. His facial expressions would vary frequently and vividly- going from sheer hilarity to terror in an instant.

Araceli's technique was wonderful and adorable. She reminded me very much of Dora- except instead of "Just keep swimming," it was "Just keep skating." Araceli would simply briskly walk-skate her way around the rink- there were some falls, yes, and perhaps her technique was not perfectly kosher, but Araceli does not permit trivialities to prevent her from achieving her goals! She can be a goose- but she is a graceful goose. A bit silly and wacky, but determined and poised in accomplishing what she sets out to accomplish.

And then there is the Slow Swan. Alas, alas, it's true- except maybe the swan part... though that would be nice.
I have a marked tendency to be hesitant and to back away from scary situations. My instinct is to pull away, to retreat to a solitary corner, to shrink into my shell. Perhaps I would more aptly be termed Torpid Tortoise- though that does lose the avian theme.
My own skating technique, as aforementioned, is to reduce my velocity such that I diminish both the probability and consequence of failure (This "failure" is rather undefined. Does it refer to the instance of falling/collision in itself, the embarrassment resulting from such an event, or the consequent physical pain? This strikes me as an interesting and important question. What is it, exactly, that I dread and wish to avoid?); the flip-side of this cautionary method is that, relative to others',


(where v is the function of my ice skating velocity)




In other words, this method gets me virtually nowhere in a typical time-frame. 
This can be problematic.

To be fair, my method worked- given that the intent was to prevent "failure," given the non-definition earlier provided. I managed to avoid falling.
Moreover, there was marked improvement throughout the course of the evening. I went from virtually not moving to moving at a satisfactory, if low-momentum, pace.

So do I maintain my low-risk ice skating methodology? 

(Transition into life-talk.)

On one hand, my torpid tortoise method prevents the pain of literal and metaphorical scraped knees. That's nice, right?

Yes... but no. Scraped knees are not, in fact, the end of the world. (Even if I seem to act on the opposite belief.) 
And, more importantly, the torpid tortoise method can decline into a stationary-snail way of life. It's one thing to be slow and steady, and quite another to stop cold.

So for the new year? 
I hope to renounce the Stationary Snail altogether and to become a Slightly Slower Slug. 
Maybe next year I can upgrade to a swan.


Friday, December 30, 2011

On Sunrises and New Years

The sun is quickly setting on the year.
Or perhaps it would be more accurate to say that we are already enshrouded in darkness and the dawn will soon be before us with the birth of a new year- there needs to be a period of darkness between dusk and dawn, correct?

Perhaps you reject this metaphor altogether and confuse it for mistaken reasoning. The end of a year has naught to do with the completion of a rotation about the earth's axis- no, no, it is the completion of a revolution about the sun. To speak of dusk and dawn is foolishness.

But perhaps it is not so foolish when we pause to consider the flow of the seasons, not unlike the fluctuations of light and temperament which transpire in a day. Mild-climated Californians may often forget, but let us recall the rhythmic melding of cold, austere winter into the childlike wonder of bloom-laden spring, which then matures into bright, energized summer until slowly mellowing into twilight colors of reds and golds and preparing to sink into a wintry slumber.

No, perhaps the downscale imagery is not so misplaced.

I just envisioned a flash of the beautiful sinusoidal dance of Earth days revolving around the Sun. Smooth transitions of color on a rotating sphere which itself is carried through parallel shifts of hue on its path of revolution...
Is it a spacetime fractal with which we are dealing?

Strangely, I did not intend to dwell on images of a years' end- not literally- but how quickly one can be lost in contemplation of cosmic wonder!

I am afraid there are things that must be done in preparation for dawn.
To put it plainly, the drabness of housecleaning awaits me.
Perhaps I will transform it into a nymph-ish ritual of cleansing in anticipation of yearly rebirth... and sweeping and dusting will give way to contemplation of fractals and cosmic dances, and of years past and times to come.

Farewell... we should meet again at dusk, or dawn, or midnight to perform ritualistic dances and share the fruits of contemplation.

Friday, December 16, 2011

On Rape and the Temptation of Misguided Anger

*The idea of being raped and murdered- or just raped- terrifies me.

It’s terrible, terrible, terrible. It’s one of those things that makes me want to cry, “Why, God, why?” (But I don’t think there’s actually a god listening, unfortunately.) 
And it makes me hope that it never happens to me. (Or anyone I care about. Or anyone, ever.)

It’s difficult not to take issue with men. At least with the abstract concept of men. 
Throughout my life I've been informed of countless brutal rape-murders. 
All my life I’ve been warned not to listen to the emotional manipulations of men, because ‘he will say whatever needs to be said to get what he wants from you.’ I want to believe that it isn’t true, that I can trust people, that “men” could not be so cruel and that they must see me as more than… I’d rather not be crass. As more than a toy to be used. But it’s hard to hold on to that belief when your father and your uncles and most everyone you know tells you this. 
That’s the scary thing, really. I could shrug it off relatively easy coming from a hurt woman. Pain clouds personal judgment. Just because he did that to you doesn’t mean it happens all the time. 
But when it’s all of the men who are in a position to care about me that say it (with an unspoken, trust me, we do it all the time lurking in their eyes)… my faith in “man” falters despite my stubborn adherence to a belief in the goodness of people.

I have been instilled with a fear of walking alone. Anytime, anywhere. Especially at night (Of course. I mean it’s really out of the question).
Maybe I am too precautious, but given the stakes, I say better to be safe. 
But it does strike me as a bit unfair when I realize that my male friends have likely never hesitated at the thought of walking to the grocery store by themselves- for fear of the possibility of being kidnapped, raped, and discarded on the side of the road somewhere. And when I wonder whether I will be able to travel through Europe next fall, because I am not going with a group of people I know, and what if I don’t make friends with similar travel destinations while I am abroad? Is it safe to travel alone? I want to believe so… but…. I don’t know. Perhaps I’d better not. 
These are fears that ought not be necessary. But they’re there, and I can’t ignore them or shrug them off easily. Of course, travelling alone is also dangerous for a male, I suppose… but not nearly as dangerous as for a female. Men may have their wallet taken from them. Just about anyone who attacks me will make sure to seek other advantages. Even if they primarily just want the money, why not make the best of the situation and rape a lone female? And even if both scenarios (male victim and female victim) end in death, why must the murder of my counterpart almost always be preceded by rape? Perhaps it seems to make no difference, but it does to me. Why can’t we be spared that shred of dignity?

I know a large number of men-- in the same way that I know a large number of women-- whom I respect and who I firmly believe to be individuals if integrity. There are those whose esteem I prize, and a very few whom I would trust with my soul. It’s not a matter of male or female; it’s a matter of character. This I believe more deeply than any anti-male sentiment I may utter. I may be called a fool, and perhaps I am, but I refuse to let go of the belief in the goodness of individuals- not of men or women (or of Muslims or Christians or atheists or any ethnic group or just any group), but of individuals.   

So forgive me, fellow believers in justice, when I slip into anger toward the concept of “man” when I hear that “in a survey of college-aged men, 35% admitted that they would commit rape if they believed they could get away with it” (http://www.uic.edu/depts/owa/sa_rape_support.html). Or when I recall the confusion and sadness and incredulity that filled me when I expressed to a dear male friend- whose honor and decency I would pledge to in a heartbeat- that I could not understand how someone could rape someone, could take pleasure in the act despite the pain they were inflicting upon another, despite the screams and the struggles and the tears and all of that… and he shook his head and told me that no, he could see it… It makes sense… (And I wanted to scream that no! It can’t make sense! It doesn’t make sense! How could it ever make sense? I still want to deny that. There must have been some error, some misunderstanding, some discrepancy in terminology that prevented the clear communication of ideas.) Or when I think of women impregnated and abandoned to raise their child alone. (This seems unfair to the woman, but my real pain here is for the child, who deserves better.) I’ve never understood why responsibility for a child tends to be considered so disproportionately… but it’s another one of those warnings that haunted my girlhood. And then there’s that whole history of inequality between the sexes, which produces the occasional pang of disappointment.

I know this sounds ironic, but it actually isn’t. I mean it, and am only trying to provide you with my perspective, that you may understand the temptation. So please do forgive me when I slip into anger toward the concept of “man.” I ought not to name this character so. But I have yet to conjure a title for this beast. 
(A note: I should clarify. I do not put men who do not play in equal role in raising their children and that long line of men who played a role in the oppression of women “beasts.” They may be weak, but they are not beasts. The beast is the rapist, the murderer, the torturer.)

So reader... I trust that you are good. You may have your flaws and your weaknesses, but so do we all, and I believe that you will do the right thing when put in a sticky situation. You are strong.
I trust that you will keep an eye out for the weak and protect them if possible.
I know that you will support survivors. I know that you will remind the people around you that we are to treat people with dignity, and that you will teach by example.
I know that you do your best to live with integrity and honor- and for that, you have my utmost respect.
We are good, strong men and women… and we must do our utmost to keep the beast at bay.

*These thoughts, on this particular occasion, were provoked by the following sites:

Wednesday, December 14, 2011

The Awkward Nerd Girl

Let us briefly consider a unique creature: the awkward nerd girl.

The awkward nerd girl subsists on a hearty diet of scientific articles, literary novels, and exercises in mathematical abstraction. This is often supplemented by strong doses of fine art and poetry, philosophical discussion, and close reading of historical texts.

The awkward nerd girl is not pretty. She is not gorgeous, she is not beautiful. She is definitely not "hot." 
At best, she is "kind-of-cute-in-an-awkward-way"-- but mostly she is overlooked. 
By and large, the awkward nerd girl rejects the 'shallow societal obsession with physical beauty' (the claim that something is fashionable is a strike against the item, more often than not)… but when the time for public procession actually comes around, she stands awkwardly in her less-than-fashionable selections, torn between loving and hating herself for the rebellion.
In her heart of hearts, the awkward nerd girl wishes she were beautiful.

The awkward nerd girl is appropriately situated in settings of a very particular nature: a library, a classroom, a coffee shop, and the confines of her own book-laden bedroom are prime examples. Other sites are nerd-girl-neutral: a grocery store, a public restroom, or a swing-set at the local park, perhaps. But certain sites are strictly forbidden: fashionable boutique stores, large parties, and, most certainly, steamy dance floors.
Let's face it: the image of the awkward nerd girl dancing (awkwardly) to music with a strong beat and highly questionable lyrics is offensive to the sensibilities of all parties.

My own role, unsurprisingly, is that of the awkward nerd girl. When placed on a dance floor pulsing with the latest tunes in pop culture, a large red exclamation mark quickly appears over my head.
 Does not belong! Warning! Awkward nerd girl has entered the dance floor!
I rigorously avoid eye contact. I grimace in understanding of the pain others must experience at beholding the taboo sight. My mind and body quickly cave under the torrential pressure of public disapproval, and I steadily crumble into a small pile of awkward self-consciousness.
Awkward nerd girl does not belong.

In the way of dance, this awkward nerd girl has turned to a sneaky refuge.

Ballroom dancing is beautiful. It is graceful. It is classic.
But the key point for the awkward nerd girl is another. Ballroom dancing is structured-- and therefore, it is safe.

My family expressed all sorts of surprise at the idea of my doing any sort of dancing.
I am stiff, terribly self-conscious, less-than-coordinated, and… awkward.
I am pretty sure they still don't buy it.

But what they don't understand is that ballroom offers a layer of protection for the awkward nerd girl.
Consider the following:
Waltz demands you trace out boxes. Cha calls for tetras shapes. Squares, line segments, circles… 
Geometric precision.
All in all, it seems like a perfect task for the awkward nerd girl.

It is only later that the stiffness melts away. We lose the simple  rigidity of basic geometric shapes and introduce more complex curves, rotating waltz boxes in ballroom frames evocative of ln(x).
It is geometry and vector calculus.
It is precise and fluid.
We are anchored by structure... and so we feel safe to introduce "Latin hip motion" under discussion of proper mechanics. After a while it's not too hard to sneak in flirtatious winks and intense passion and butterfly fragility. It's not too difficult to slip into lovely gowns (though sexy Latin skirts still defy us-- they are not fooled) , and to dream of personal beauty whilst tracing out elegant patterns with mathematical precision. The awkward nerd girl knows that it is for those elegant structures which the audience claps, not for her… but still. At that moment she is free to dream of beauty and sophistication and black-lace evening-dresses.

Friday, December 9, 2011

On J.K. Rowling, Success, and What-the-hell-am-I-going-to-do-with-my-life?

Every now and then I am struck by a harrowing pang of bewilderment. 
(That is to say, I peek at the tangled mess which is the what-am-I-to-do-with-my-life question, and wonder how in the world I shall ever set about undoing the hideous knots and imposing an acceptable degree of order upon my "adult" life.)

Today I spent a good bit of time pursuing miscellaneous activities, and in the process I did manage to strike a bit of gold. Apparently J.K. Rowling gave Harvard's Commencement address two years ago.
I found her address delightful and inspiring and exceedingly relevant. I have always felt that Rowling must be a wonderful creature to be able to write the profound, life-shaping passages found in her books, and hearing her speak only reinforced this belief. I tend to credit Montgomery, Alcott, and Pierce for most of my childhood-shaping, but Rowling (and Hugo!) certainly deserve to be up there. The Harry Potter books brought me to tears of laughter and sorrow on many an occasion. (Yes, maybe Harry was a little dramatic in book five, but I'm certain I shed tears of rage and mourning right along with him, as he sent Dumbledore's possessions to a crashing end in a senseless effort to protest Sirius' death.) 

There are certain things that set my heart ablaze. 
One such thing is the pure friendship embodied in the Harry Potter books- having people of virtue and integrity willing to risk their lives for love of one another. There is something incredibly beautiful in the friendship between Harry, Ron, and Hermione- but not just them. The Weasleys, Lupin, Hagrid, Sirius (to Wormtail, "You should have died! Died rather than betray your friends, as we would have done for you!"),  Dumbledore... there's so much of loyalty and love that permeates their actions.

Another (related) is Harry's realization in Half-Blood Prince that he is in control of his fate, despite the prophecy.
[Oh dang. Things just got serious. I strode to my bookshelf, pulled out book six, and turned to chapter 23.]  There are a good four pages worth of quote-worthy material at the end of that chapter, possibly my favorite conversation of the series. Yep, it's quote-time. (But not four pages' worth.)

(Dumbledore is trying to persuade Harry that the prophecy is virtually irrelevant. Harry isn't getting it.)
"But-"
“It is essential that you understand this!” said Dumbledore, standing up and striding about the room, his glittering robes swooshing in his wake…. “By attempting to kill you, Voldemort himself singled out the remarkable person who sits here in front of me, and gave him the tools for the job! …And yet, Harry, despite your privileged insight into Voldemort’s world…. You have never been seduced by the Dark Arts, never, even for a second, shown the slightest desire to become one of Voldemort’s followers!”
“Of course I haven’t!” said Harry indignantly. “He killed my mum and dad!”
“You are protected, in short, by your ability to love!” said Dumbledore loudly.
….
“But, sir… it all comes to the same thing doesn’t it? I’ve got to kill him, or- ”
“Got to?” said Dumbledore. “Of course you’ve got to! But not because of the prophecy! Because you, yourself, will never rest until you’ve tried! We both know it! Imagine, please, just for a moment, that you had never heard that prophecy. How would you feel about Voldemort now? Think!”
Harry watched Dumbledore striding up and down in front of him, and thought. He thought of his mother, his father, and Sirius. He thought of Cedric Diggory. He thought of all the terrible deeds he knew Lord Voldemort had done. A flame seemed to leap inside his chest, searing his throat.
“I’d want him finished,” said Harry quietly. “And I’d want to do it.”
“Of course you would!” cried Dumbledore. “You see, the prophecy does not mean you have to do anything! But the prophecy caused Lord Voldemort to mark you as his equal… In other words, you are free to choose your way, quite free to turn your back on the prophecy! But Voldemort continues to set store by the prophecy. He will continue to hunt you… which makes it certain, really, that-"
“That one of us is going to end up killing the other,” said Harry. “Yes.”
But he understood at last what Dumbledore had been trying to tell him. It was, he thought, the difference between being dragged into the arena to face a battle to the death and walking into the arena with your head held high. Some people, perhaps, would say that there was little to choose between the two ways, but Dumbledore knew- and so do I, thought Harry, with a rush of fierce pride, and so did my parents- that there was all the difference in the world.
Let us pause for a moment and allow that to soak in.

So, my point. My point is, Harry Potter invigorated my stubborn resolution to prize love as the most beautiful and empowering and noble of human actions.
The love of Anne Shirley (Montgomery's Anne of Green Gables) is light-hearted and uplifting (I dream of being an Anne-ish friend, teacher, and mother), but, though I do not doubt its resilience, it is unmarked by the suffering which is the unique product of gross injustice. Harry Potter adds so much in the way of silent strength and poignancy. The love of that world is love in the face of murder and torture, fear and anguish. It is daring to hold on to beauty and hope in the face of those who would rip all goodness from the world. It is what we would die for- but, more importantly,  it is the love that we live for.
Oh, Harry Potter! J.K. Rowling is a kindred spirit. Definitely.

What I was going to say... before delving into the Harry Potter portion of my soul... was that Rowling seems to understand my feelings concerning life/success/failure perfectly.
Coming from parents with an "impoverished" background with serious concerns about the practicality of their dreamy daughter's desires for life... Hmmm... I think that sounds a bit too familiar. [I also definitely appreciated the part where she said her parents may not have found out she was studying Classics until the day of her graduation. I have certainly been tempted to do just that (only with philosophy, of course).]
I always enjoy the rants which follow any mention of my latest philosophy class, complete with heated claims that philosophy is for those not good enough to do science or mathematics, bleak predictions of future joblessness and subsequent starvation, sour threats to retract all forms of parental support in the case that I nevertheless insist on pursuing such a foolish life-path, and other forms of, generally speaking, overwhelming support for the notion of a philosopher daughter. It's encouraging, really.

But, like Rowling, I understand my parents' perspective. Okay, maybe I don't fully understand their viewpoint, but when I can step back from the stinging sensation in my chest, it's evident that what they want is for me to move forward in life. They want me to be able to provide for myself, and, moreover, to flourish.

Now perhaps this is simply my trying to be philosophical, but that last statement seems to introduce a desperate need for a definition. What in the world does it mean to "flourish"? What is my standard for success?

For my parents, wealth is an obvious component in this calculation. [Points against philosophy.]
For myself... Don't get me wrong, it's tempting to adopt that as a criteria, but I'm not sure that riches really get to the heart of my desires. I don't care about flashy cars or mansions or pointless displays of opulence.

Current requirements for my "house of dreams" are a lovely garden, enough space for a happy family, general freshness/quaintness/cuteness, and an awesome library.
(Admittedly, I would be willing to put a good deal of money into that last one.)
I want a career that is intellectually demanding, rewarding, and conducive to forming meaningful relationships or human connections.
I want to do work that has a positive impact in terms of improving the lives of others or contributing to justice.
I want to contribute to the beauty of the world.
I want to be a confidante and mentor.
I want to be a loving (and beloved) wife, mother, daughter, sister, and friend.
I want to be a life-long lover of ideas.

The question is... how do I find the connection between my standard of success and selecting a clear career path? Would I do best in education or medicine? Should I teach, counsel, provide therapy, or practice general medicine? Is it justifiable to spend a life writing papers when I could help someone regain the ability to walk or speak, or help provide care to the millions dying of malaria, AIDS, or other diseases? But surely an educator plays a crucial role in the way of fortifying and enlightening minds!
What would I be best at? What would make me happiest? What would bring me the most success?

Nope, I still have no idea how to untangle the ugly mess. All of this...to no avail.
I find myself hoping that, slowly, things will be made clear and the knots will ease up a bit. Somewhat magically, relatively painlessly, and swiftly enough that I evade the failure I so greatly wish to avoid.

I'm reminded of when I complained to my friend that I had no idea what I was going to do with my life.
And she (Brynna) would have none of it. "You're going to be happy, that's what you're going to do."
But, but, but!- I wanted to protest.

...Somehow, I'm thinking she's right.